Interview : Alain Fleury, works manager at DBS
PLAtec-shaped plasterboard used to build Jean Nouvel's wall creation
The Claude Lévi-Strauss theater in the Quai Branly museum opens out onto the gardens in a dramatic flourish of green. The amphitheater type structure is designed to close into a completely intimate space looking down on the 140 m² theatrical stage. The tiered seating facing the stage accommodates up to 399 spectators, while a further 100 or so can be seated in the terraced steps enclosing the other three sides of the stage.
Acoustic performances complement architectural creation
Adjustable curtains, created by house artistic director Issey Miyake, alternate with the random contours of the walls, to insulate the space acoustically as well as visually. The acoustician and architect worked in close collaboration to define the rhythm of the protruding blocks and cavities in the walls in order to lend a richly unpredictable aspect to the material and ensure the level of performance required in terms of absorption, insulation and acoustic reverberations. In a final touch, the lighting effects on the curtains and walls were carefully engineered to create a unique atmosphere in the space, providing the perfect backdrop for the primary arts to inspire the imagination.
Photographer: Cédric Prat
Interview : Alain Fleury, works manager at DBS
PLAtec-shaped plasterboard used to build Jean Nouvel's wall creation
The Claude Lévi-Strauss theater in the Quai Branly museum opens out onto the gardens in a dramatic flourish of green. The amphitheater type structure is designed to close into a completely intimate space looking down on the 140 m² theatrical stage. The tiered seating facing the stage accommodates up to 399 spectators, while a further 100 or so can be seated in the terraced steps enclosing the other three sides of the stage.
Acoustic performances complement architectural creation
Adjustable curtains, created by house artistic director Issey Miyake, alternate with the random contours of the walls, to insulate the space acoustically as well as visually. The acoustician and architect worked in close collaboration to define the rhythm of the protruding blocks and cavities in the walls in order to lend a richly unpredictable aspect to the material and ensure the level of performance required in terms of absorption, insulation and acoustic reverberations. In a final touch, the lighting effects on the curtains and walls were carefully engineered to create a unique atmosphere in the space, providing the perfect backdrop for the primary arts to inspire the imagination.
Photographer: Cédric Prat